The legend of King Arthur and the sword in the stone is getting an update in a new family-friendly fantasy flick from the director of "Attack The Block". Director Joe Cornish brings the action to the playground in "The Kid Who Would Be King", in which a young Alex pull Arthur's storied sword out of…
Directed by Juan Carlos Fresnadillo. A young boy learns how to be a king with the help of a wizard. A live-action adaptation of Disney's animated feature film, "The Sword in the Stone."
The Sword In The Stone (2019) is the latest animated hit from Walt Disney that gets the live action treatment.
Juan Carlos Fresnadillo, perhaps best known for directing the zombie thriller 28 Weeks Later, is directing Disney’s live-action reimagining of the studio’s 1963 animate
The Sword in the Stone is an upcoming American film based on the 1963 animated film of the same name written by Bill Peet, that is set to debut exclusively on Disney+. The film is being directed by Juan Carlos Fresnadillo, from a screenplay written by Bryan Cogman.
The legend of King Arthur and the sword in the stone is getting an update in a new family-friendly fantasy flick from the director of "Attack The Block". Director Joe Cornish brings the action to the playground in "The Kid Who Would Be King", in which a young Alex pull Arthur's storied sword out of…
Directed by Juan Carlos Fresnadillo. A young boy learns how to be a king with the help of a wizard. A live-action adaptation of Disney's animated feature film, "The Sword in the Stone."
The Sword In The Stone (2019) is the latest animated hit from Walt Disney that gets the live action treatment.
Juan Carlos Fresnadillo, perhaps best known for directing the zombie thriller 28 Weeks Later, is directing Disney’s live-action reimagining of the studio’s 1963 animate
The Sword in the Stone is an upcoming American film based on the 1963 animated film of the same name written by Bill Peet, that is set to debut exclusively on Disney+. The film is being directed by Juan Carlos Fresnadillo, from a screenplay written by Bryan Cogman.
